Images that bring the story to life; a mood board in emotional sequence; snapshots of details and stolen moments from which emerges the elegance of Ann Bofoey Taylor, a horsebac
k riding and skiing enthusiast – these are the starting points for the Moschino Fall/Winter 2013-14.
Added to this is the desire for reinterpretation, expressing the most classic, essentially Moschino pieces of clothing with the same declaration of heartfelt love for the British world.
The search begins, from tartan and its colors, for fabrics with the same visual impact and identity. This is a conscious choice, a Scottish-mania expressed in the fabrics, in the gold-embroidered badges, in the Scotland Yard caps, in the red roses and in the embossed Ms that brighten the most colorful tartans.
Men’s-style suits revisited, but always very precise and worn with classic-cut white shirts, uniforms that somewhat recall Japanese schoolgirls and a nod to the style of the countryside with pieces from the equestrian world. The final part of the show “falls back in line” with the absolutely irreplaceable black and white outfits.
Changes and play with fabric, made-up stories and revisited ones, with the only certainty whispered, smiling: “plus ça change, plus c'est la même chose” [“The more things changes, the more they remain the same”]
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